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Newly Composed Folk Music of Yugoslavia, London – New York: Routledge.About Najveci hitovi narodne muzike, Vol. Beograd: Srpska akademija nauka – Muzikološki institut, Naučno delo. Genero: Časopis za feminističku teoriju i studije kulture 13: 63-80. Roze kiborzi i /de/centrirane ideološke mašine: Preobražaji muzičke kulture (turbo)folka. Beograd: Fakultet muzičke umetnosti: 205–218. In Folklor i njegova umetnička transpozicija. Primena folklora u srpskoj muzici posle Drugog svetskog rata. Made in Yugoslavia: Studies in Popular Music. The Aesthetics of Music Videos in Yugoslav Rock Music. Muzikologija/Musicology 16: 105–127.įorthcoming. Arhai’s Balkan Folktronica: Serbian Ethno Music Reimagined for British Market. New York – Oxford: Oxford University Press. Popular Music of the Non-Western World: An Introductory Survey. Smrtonosni sjaj: Masovna psihologija i estetika turbo-folka. International Review of the Aesthetics and Sociology of Music 3 (1): 61–73.
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New Dimensions in Folk Music: A Contribution to the Study of Musical Tastes in Contemporary Yugoslav Society. Staging Socialist Femininity: Gender Politics and Folklore Performance in Serbia. Beograd: Umetnička akademija u Beogradu: 239– 259. O problemima “narodne muzike” jugoslovenskih radio-stanica. University Park: Pensilvania State University Press. The Culture of Power in Serbia: Nationalism and the Destruction of Alternatives. Da li je novokomponovana narodna muzika zaista narodna? In D. A Theory of Musical Genres: Two Applications. Zagreb: SUFJ – Društvo folklorista Hrvatske.įabbri, F. kongresa Saveza udruženja folklorista Jugoslavije – Plitvička jezera 1990. Srpske narodne melodije: Predratna Srbija. Istorijski aspekti i savremene prakse izvođenja starogradske muzike u Beogradu. The Creation of Folk Music Program on Radio Belgrade before World War Two: Editorial Policies and Performing Ensembles. Sremski Karlovci: Izdavačka knjižarnica Zorana Stojanovića.Ģ013. Cetinje: Savez udruženja folklorista Jugoslavije: 275–279.ĭragićević Šešić, M. Naša narodna muzika na gramofonskim pločama. Divlja književnost: Etnolingvističko proučavanje paraliterature. London: SSEES Occasional Papers: 139–158. Nation in Formation: Inclusion and Exclusion in Central and Eastern Europe. The Concept of Turbofolk in Croatia: Inclusion/Exclusion of National Musical Identity. Central European University, Budapest.īaker, C. “ Paint Me Black and Gold and Put Me in the Frame”: Turbofolk and Balkanist Discourse in (Post) Yugoslav Cultural Space.
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